Aryan Kaganof Movies

Based on the writings of: J.G. Ballard, Charles Manson, Jeffrey Dahmer, Henry Rollins, Roberta Lannes, Edmund Emil Kemper, etc. The structure of this...

Twentysomething innocents Jacqui and Martijn move to Amsterdam and immerse themselves in the intense and drug-laden underground club scene. Life...

Decolonising Wits is filmmaker and author Aryan Kaganof’s feature-length film looking at the Wits University end of what has come to be called...

Philosophical road-movie about the deranged paedophile Friedrich Nietzsche and his murder obsessed self-mutilating sister Elisabeth. Publisher:...

Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a...

The Dead Man returns, but it's too late to save us. We are already dead.

Documentary about and with the Japanese electronic composer and artist Merzbow.

In 2000, Kaganof collaborated with four other filmmakers on the cinematic manifesto Sonic Fragments - The Poetics of Digital Fragmentation (2000). ...

The film follows three rapists in South Africa, who live in a rape culture. Sexual, verbal, political, moral and psychological rape is common...

After the first time she swore it was the last time. She would never fuck again. Not ever.

Brooding pimp Sugar Man escorts his three ladies of the night (Sugars) to various clients on Christmas Eve in Johannesburg, South Africa. He takes...

1990 experimental short by Aryan Kaganof, made under his birth name: Ian Kerkhof

A devastating assault on conformity culture, neo-liberal politics, literary pretension and the all-around follies of the Western world. Using,...

Elelwani is a young university-educated woman who has been brought up in an environment steeped in tradition. Her parents have promised her hand in...

This film was shot entirely in Rotterdam and shows the German couple David (Helmut Berger) and Tanya (Sheri Hagen) who are kept by Ludwig (Udo Kier),...

The film opens with a rubber-clad woman stepping sensuously out of a limousine. The camera lovingly closes-up on her stilletoed foot... She enters a...

"Love is the only thing subject to negotiation in feature film debut which betrays admiration for the formal rigidity of Straub and Zwartjes." "The...

The two sides of the end of culture–in all the aspects of knowledge as well as in all the aspects of perceptible representations exist in a...

“We cannot abstain from watching the revelation of a being that would be an object neither for herself nor for any other gaze and yet which...

"A film about musicologists who can’t dance, nonetheless dancing in, and (not) talking about, a landscape they cannot see, not because they are...