Dirk de Bruyn Movies

Dissociation is an abstract materialist film that has migrated from 16mm film to the digital. It is made up of scratches, half-baked images and...

A caravan of experimental imagery created from reaching deep in the soundtrack area of analog film stock.

WAP stands for White Australia Policy, a racist policy which limited migration into Australia into the nineteen fifties. This policy can be read as a...

An experimental animation that draws the micro and macro into stark relation, "White Bat" occupies a no-zone that separates you from your own body....

This film re-animates stereoscopic images of Melbourne from the 1920s. Technically the film makes a statement about how each new iteration of moving...

"...No photographed images. All handmade. It's all these squares, lines. The main techniques were bleaching and dyeing and sticking letraset material...

De Bruyn combines his particular filmic effect/interest (rhythm) with the tangible reality around him. In Homecomings there is an incredible sense of...

Re-vue is a mutilated love-letter to the film’s form in address to the the act of seeing itself. It is shaped as a response to, and in dialogue...

An intriguing exploration of the changing impact of speed on our ability to view an image and construct meaning and narrative.

Empire re-animates found historic stereographic photographs predominantly of Melbourne’s city centre between 1927 and 1940 when the colonial...

Channelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.

A taxonomical crash course listing, ordering, classifying phrases, words, letter and numbers. A collision course of the domesic and fragments...

East Meets West is an abstract flickering animation that sits precariously between the digital and the analog. The film highlights the luminous...

Groundbreaking experimental/avant garde travel diary essay film. A reflection on communication.

Frames like de Bruyn's other recent effort Cha-Hit (1986) is an overwhelming film constantly in motion, blitzing its audience with abstract visuals....

We are told at the beginning that “this film is dedicated to Len Lye” and indeed the camera-less techniques used here – various...

The roving eye in the crowd. Flickering sunlight. Fast forward. B4 it was seeing faint movement on the distant horizon. Now the skill is to see the...

An intense and sometimes disturbing series of encounters between the filmmaker and his mother as they relive the traumatic years of his childhood and...

The film follows walking feet and progresses to a preoccupation with the dancing shadow of the camera and the filmmaker. Much of the footage was...

A celebration of the offal of cinema, old films, old soundtracks, drawing directly on the film, using stamps and food-dyes to create discarded...